TRAVEL IDEAS

Ed Ou: Journey To The Promised Land

Ed Ou is a Canadian-Taiwanese photojournalist living and working in the Middle East, who covered his first big story during the Israel – Hezbollah conflict from southern Lebanon in 2006, when he was studying Arabic and International Relations in the Middle East.

Since then, he has worked with Reuters and the Associated Press covering diverse stories such as the ongoing conflict in Somalia, child soldiers in Uganda, California wildfires, faith and conflict in the Holy Land, and even fashion in New York City. He is also a featured contributor to Reportage by Getty Images.

Ed was selected by Photo District News as one of the 30 Emerging Photographers of 2008. His work has appeared in the New York Times, Los Angeles Times, Time Magazine, Guardian UK, and many other publications. He speaks English, French, Chinese, and Arabic.

I chose to feature Ed's portfolio titled Journey To The Promised Land, in which he documents some of the Falash Mura, and the surrounding controversy in allowing 40,000 Ethiopian Christians, with claims to Jewish ancestry, to immigrate to Israel.

Anamitra Chakladar: Kushti

Photo © Anamitra Chakladar-All Rights Reserved
At the outset of my Tribes of Rajasthan and Gujarat Photo~Expedition, I spent a few days in Delhi where I had the immense good fortune to meet with Anamitra Chakladar, a friend who attended the Foundry Photojournalism Workshop in Manali last July.

Along with Terri Gold and Wink Willett (participants in the photo expedition) we visited a Kushti akhara (a traditional Indian wrestling arena), and spent a couple of hours photographing the wrestlers.

Anamitra was born in Kolkata, and expected by his parents to be a teacher or an accounting executive/CPA (he graduated with an accounting degree), but chose to be a photographer instead.

He joined an established newspaper as a trainee photographer, then moved on to television joining NDTV, and saw more than his share of world conflicts including the first Gulf War, the ongoing conflict over Kashmir between India and Pakistan, the coups in Nepal and Bangladesh...and getting shot at during the 2001 attack by Lashkar-e-Toiba and Jaish-e-Mohammed terrorists against the Parliament of India in New Delhi.

Anamitra published his photographs of the Kushti training on Photojournale.

POV: P As In Professional

Photo © Tewfic El-Sawy-All Rights Reserved
The New York Times' Gadgetwise blog features an interview with Harry Benson, the legendary Scottish photographer, who shared some tips on taking photos in low-light situations. It was also picked up by WIRED's Gadget Lab.

Harry Benson's tips are:

1. Use program (P) mode to get the best results and to capture detail.
2. Remain in the reasonable ISO range, and avoid setting it above 1000.
3. Use manual focus instead of autofocus in dark situations.
4. Avoid using flash which, in Benson's words, makes one lose a lot of humanity.

It's refreshing to read such advice, especially since i've come across many photographers who shudder at the thought of using the P setting on their cameras (or admit to it).

I frequently advise participants in my Photo~Expeditions to set their cameras on the P setting during the first couple of days of the trip, to compensate for the jet-lag fatigue, and for the sudden disorientation we all experience in a new unfamiliar environment, especially if it's at a bustling heart-pumping festival.

I have used, and will continue to use, the P setting on the occasions when I'm unable to achieve the look I seek from a particular scene . This may be because it's a fast moving situation or because it's a low-light, or because I'm too tired or distracted to think straight.

During my Land of the Druk Yul Photo~Expedition in October 2009, I and the participants agreed that the P setting on the DSLRs we carried didn't stand for Program at all, but for Professional.

So my advice is when you're not getting the exact result you seek from a particular scene for whatever reason, set your camera on P and let it rip. The photograph above is an example of this. It was made during a festival in Bhutan's Jakar Valley, and I had trouble getting the right exposure using a manual and Av setting, so I just resorted to P...and I got what I wanted. Elementary, isn't it?

Harry Benson's interview via The Click

My Work: The Rabari & The Charpoy

Photo © Tewfic El-Sawy-All Rights Reserved
While in Dasada (in the Little Rann of Kutch) during the The Tribes of Rajasthan & Gujarat Photo~Expedition ™, we stopped by a small Rabari village to photograph. We fanned out to photograph whatever caught our eye, and whoever was willing to cooperate.

The previous evening at the Rann Riders Resort, we were shown a wonderful book of Olivier Follmi's photographs; some of which were of the area. One photograph in particular caught our attention, and it was of a Rabari shepherd asleep on a traditional rope bed called "charpoy". It was a photograph that I (and others in the group) was determined to imitate, provided I found the necessary rope-bed and a willing and able photogenic Rabari.

I easily found the charpoy, but to convince one of the Rabaris to lay or sit on it taxed my very limited Hindi and my rudimentary sign language. After some insistence (as well as having to literally drag him by the hand) on my part, the chosen Rebari cooperated and played his part...however, feeling self-conscious being watched by some of his fellow villagers, it didn't last very long at all.

Photo © Sharon Johnson-Tennant-All Rights Reserved
Sharon Johnson-Tennant, one of the group members who was also photographing this recalcitrant Rabari, captured the moment as I showed him the various photographs.

The Rabari tribals live throughout Gujarat, Punjab, Harayana, Uttar Pradesh, Madhya Pradesh and Rajasthan states in India. Some also live in Pakistan, especially in the Sindh. Their principal occupation is raising cattle, camels and goats.

Rajibul Islam: The Rohingya

Photo © Sheikh Rajibul Islam-All Rights Reserved
The Rohingya, a Muslim ethnic group of the Northern Arakan State of Western Burma, are denied citizenship and suffer persecution and discrimination in Myanmar. Hundreds of thousands have fled to Bangladesh. An estimated 25,000 unregistered Rohingya refugees are living in the Kutupalong makeshift camp in Bangladesh, and are being forcibly displaced from their homes, in an act of intimidation and abuse by the local authorities. Few have been granted refugee status. The majority struggle to survive, unrecognized and unassisted in Bangladesh.

Precious little on Sheikh Rajibul Islam's background is available on the internet, although he is listed on Lightstalkers as a Bangladeshi documentary photographer and film maker. Rajibul has also worked with Benjamin Chesterton of duckrabbit in Dhaka, where they have been working on a documentary about the effects of climate change on Bangladesh.

In my view, Rajibul and his powerful work belong to what I call the Bangladeshi "school" of photography...the dark and brooding style, which showcases social issues which need to be addressed. He's in good company: G.M.B. Akash, Sumit Dayal, Munem Wasif, Andrew Biraj, Tanvir Ahmed, Abir Abdullah, Monirul Alam, Shehzad Noorani, Saiful Huq Omi, Khaled Hasan, Murtada Bulbul, Mohammad Kibria Palash and Azizur Rahim Peu...and so many other talented photographers.

The Rohingya photo essay is showcased by the excellent Social Documentary. Social Documentary is a website for photographers, NGOs, editors, journalists, lovers of photography and anyone else who believes that photography plays an important role in educating people about our world.

Thanks to Benjamin Chesterton of the incomparable duckrabbit for bringing Rajibul Islam to our attention.

Charlotte Rush-Bailey: Tribes of Raj & Gujarat

Photo © Charlotte Rush-Bailey- All Rights Reserved
Charlotte Rush-Bailey is the second group member of The Tribes of Rajasthan & Gujarat Photo~Expedition ™ whose work is being showcased here on TTP.

As demonstrated by her photographs here, and by those on her impressive website, Charlotte's quest to explore the unknown and learn from it has always been with her. Her career covered three decades of marketing and communications positions in a variety of global industries including energy, financial services, media, conservation, technology and professional services. This gave opportunities to work with people all over the world, and to learn to appreciate cultural nuances and the influences of socio-political forces.

Photo © Charlotte Rush-Bailey-All Rights Reserved
This is no idle claim by Charlotte. I saw her engage people in the remote villages of Kutch and in the warrens of the walled city in Ahmedabad with an incredible ease, which led her to have no difficulty obtaining the photographs she wanted.

Photo © Charlotte Rush-Bailey-All Rights Reserved

Charlotte immersed herself in her passion of photography, and attended numerous workshops including those at the Palm Beach Photographic Workshops and Santa Fe Photo Workshops. She traveled to more than 90 countries, with a camera as a constant traveling companion. She believes that it was this that gained her more intimacy with people, places and nature.

"These explorations have enriched my life beyond imagining. Most important is the confirmation that humans – regardless of race, creed or tradition – share core values that far outweigh the differences that are so often the cause of conflict. The importance of family, community and spirituality are universal. Beyond humanity, nature has taught me complete humility and reverence. Nothing we humans do can repeal the laws and forces of nature; nothing we create can compare with the beauty, elegance and resilience of the natural world."

She's absolutely right.

Tribes of Rajasthan/Gujarat Photo Group

Photo © Kantilal Doobal-All Rights Reserved
Kantilal Doobal is the Bhuj-based photographer/guide who accompanied us on our forays in the tribal lands of Bhuj area. He photographed alongside us, and emailed us this group photograph at a Wadha village on the last day in the Kutch.

From left: Sharon Johnson-Tennant, Colleen Kerrigan, Sandy Chandler, Tewfic El-Sawy, Kim McClellan, Terri Gold, Cathy Scholl and Charlotte Rush-Bailey. The fellow in the blue turban is the village's chief. Missing are Wink Willett and Jamie Johnson.

Kantilal Doobal's Flickr stream is here.