POV: Is It "Visual Plagiarism"?

Photo © Tewfic El-Sawy-All Rights Reserved

It's rare for me to have an ambivalent view on anything, but I've stumbled across a "tweet" on my Twitter page (presumably from one of my 800+ followers addressed to another photographer) which prompts this post.

I don't want to divulge more details than is necessary, so I'll use this hypothetical example:

A travel photographer with somewhat of a distinctive style travels to a remote location and photographs its indigenous people. A year later, another travel photographer with more or less the same style travels to the same location, and photographs the same people. The latter photographer stays at the same accommodations, uses the same guide/fixer, and the subjects are the same. To my knowledge, there's no contact between the two photographers...and there's no exchange of information. However, the photographs closely resemble each other in terms of subjects and photographic style.

So the question is whether this constitutes plagiarism or inspiration. Taking the example of the Rebari shepherd in the above photograph, would it be plagiarism if another photographer traveled to Poshina in Rajasthan, stumbled on my local fixer who then somehow arranged this particular shepherd to be photographed? I don't think so.

Would it be different if the photographer, having seen the above photograph, asked the Rebari shepherd to adopt the exact same pose? Is that plagiarism or just being inspired?

Perhaps it's the degree of the imitation that resolves the question. If the photographer shot the same Rebari, and purposefully arranged the photo shoot so that he'd wear the same exact turban and tunic, against the same background? Yes, I think that's the answer. If the imitation is purposeful and premeditated, then it is plagiarism...otherwise, it's just flattery.

Yes, that's it...I think.

Sulawesi Surprise!: A Long Journey

I bet travelling some 300 km from Makassar or Ujung Padang to Tana Toraja could take a toll on some people. Amuse yourself then. Drink in the scenery. You would get to see vast padi field here and I suppose Sulawesi exports some of this staple food to Java. You would be delighted to see traditional Bugis houses along the way.The long drive may make you sleepy and you may doze off, and wake up to see more paddy field here and some more Bugis houses there. Before you get really bored, just remember that you are travelling from the lowlands to the mountain stronghold of TANA TORAJA. There ought to be surprises in store...Just be patient...

Fancy these scenes?








Traveling Tip: Don't doze off!

Foundry PJ Workshop: Instructors Line Up


What more is there to say?

Thailand: Damnoen Saduak Market

Photo © Tewfic El-Sawy-All Rights Reserved

The troubling events in the streets of Bangkok reminded me of the Damnoen Saduak Floating Market near the capital, which is a must-stop for foreign and local tourists, as well as food lovers. I've visited it almost every time I stop in Thailand, when I'm en route to Bhutan, Cambodia or Bali.

Yes, it's a tourist trap to a large degree but the food served by the women on their floating dugouts-kitchens is spectacular. I'm told that getting there very early in the morning will ensure a tourist-free experience, but I doubt it.

I'm traveling today, hence this short post.

POV: The Fact of The Matter...



The Marco Vernsachi & The Pulitzer Center "affair" seems to have somewhat calmed down after the considerable airing of divergent views, opinions and debate between photojournalists, photographers and journalists in the blogosphere.

Some of these views were expressed on Lightstalkers, which is a popular no-holds barred forum for photographers. Going through the posts, I saw one that claimed that the story (and its handling) was not only a blow to the credibility of photojournalism (which I agree), but also a blow to the credibility of some blogs (and their authors).

Huh? The Pulitzer Center was forced to formally admit (twice) its mistake in publishing an image of an exhumed corpse of a young Ugandan girl on its site, because of the bloggers' criticisms that it violated the rights of a child to dignity and privacy. If it hadn't been for the bloggers, these offensive photographs would be still on the Center's website, circulated on social networks and possibly worse.

I view this story and its results as vindication for those bloggers who had the courage of their convictions, and demand that these offensive photographs be pulled from the Pulitzer Center's website. It's hoped that the Pulitzer Centre will stand by its promise of redoubling its "efforts to authenticate every claim and to insure the privacy rights of individual victims".

The appropriate way to look at it is that the bloggers stepped in and redressed a wrong that would not have been committed had the parents of these unfortunate African children have recourse to a sophisticated legal system preventing such liberties with privacy rights.

Ian Lloyd: Asia



Ian Lloyd is an Australian photographer who has undertaken commissions for magazines such as National Geographic, Time, Fortune, Gourmet and Conde Nast Traveler and multinational companies as diverse as ExxonMobil, Pepsi, Motorola and Singapore Airlines have commissioned Ian for commercial photography assignments. He has photographed 36 books on countries and regions around Asia including large format books on Kathmandu, Bali and Singapore and a four volume series on Australian wine regions.

You'll see from the Spirit of Asia video that it's a retrospective look at 20 years of his photography in Asia. Perhaps somewhat different from most of the travel photography I have featured here on The Travel Photographer blog, but certainly of high quality that we expect from photographers who work with the National Geographic.

The Sky Lounge Of Grand Paragon Hotel, Johor Bahru

The Sky Lounge is situated on 26th Floor of Grand Paragon Hotel, Century Garden - Johor Bahru. The company I attached with was held the Annual Dinner in the lounge on January 2010. That gave me a chance to explore the Highest Lounge in Johor Bahru for the moment!

The entrance of Sky Lounge, Grand Paragon Hotel

The dinner started about 7pm on that day, before that...some of my colleagues already enjoy their ice cold beer in the lounge. Alcohol is serve mostly for the local or foreign company when they celebrates their Annual Dinner. Even the Wine and Liquor were serve in the house, but I'm only enjoyed the Tiger Cold Beer...:)

The beer serve in 'Tower', during the 'Happy Hour', the charges is MYR108.00 and MYR128 after 'Happy Hour'.


And the foods served on that night was pretty delicious, they had Local food, Japanese food and International food...

The foods for the night :-

The local food and fruits

I Love the Japan Sashimi on the left!

I had this Roast Lamb a lot! My favorite! :)

There were Only 3 Lovely Ladies (waitress) serve the party in such a big Lounge on the Top of the Hotel...They did it well!

The Lovely waitress of Sky Lounge

Beside the foods and drinks, there was a Nice Red Piano display on the left of the stage. The performer play some nice song during the performance...

The RED Piano in the lounge

Another advantage of the lounge is...you can take the Johor Bahru city photo from the open air balcony! Because of the height of the Hotel, the vision is from Johor bahru City till Singapore. That was nice! I will share in my next post.

As usual, our colleagues and guests arrived about 8pm. Everyone were enjoy their food very much! Following with performer on the stage and lastly...the lucky draw. The First price was a 32" Sharp LCD TV! But I didn't get it...:)

I was attracted by the lighting in the lounge while others were busy with their foods....


There was a Cigar Bar at the right side of the lounge, if you are cigar lover, you will definitely love the environment!

Overall, we were satisfied with the services provided and also the foods. The dinner party end about 12 midnight and left some colleagues and guests chit-chatting until 3am in the morning! (I'm one of them...)

I'll be back again, not for the alcohol but for the spectacular night view of Johor Bahru!


Diego Vergés: The Mentawai

Photo © Diego Vergés-All Rights Reserved

Photo © Diego Vergés-All Rights Reserved

Photo © Diego Vergés-All Rights Reserved


As I indicated in an earlier post on The Travel Photographer blog, Diego Vergés is back from his 4 months trip to Indonesia (and PNG) and its various islands, and is currently working feverishly on his inventory of images.

He tells me that he has so far edited and readied only one of his expected 8 or more photo essays on the various indigenous groups of Indonesia, and that's the gallery on the Mentawai. The images are spectacular, and I encourage you to view them as they provide a window into a culture which I suspect will soon vanish.

You'll notice Diego's characteristic lighting techniques from the above photographs, and which he told he learned from The Strobist. Photographing the Mentawai, he used off camera lighting, a reflector and a softbox. For cameras, Diego uses a Canon 5d and a 5d Mark II, with prime lenses (24mm f1.4 and 50mm f1.4).

The Mentawai are the native people of the Mentawai Islands, which is a chain of about seventy islands and islets off the western coast of Sumatra. They live a semi-nomadic hunter-gatherer lifestyle in the coastal and rain forest environments of the islands, and number about 64,000. They are known by their deep spirituality, body art and the tradition of sharpening their teeth for beautifying reasons.

The Mentawai practice traditional animism, and as with other indigenous cultures, are threatened by encroaching modernism.

Grand Paragon Hotel at Century Garden, Johor Bahru

Grand Paragon Hotel 4* (N1 28.867 E103 45.700) is one of the famous hotel at Johor Bahru at the moment. It's located at the junction of Jalan Harimau and Jalan Seladang of Century Garden (Taman Abad), Johor Bahru.


We stayed here for one night on the day our company having the Annual Dinner at the Sky Lounge (26th Floor) of Grand Paragon Hotel. The room rate we had was a special discount! I only paid MYR160.00 for a room with 2 Queen bed. That was really reasonable because the published rate on their website is MYR230.00 for Standard room and MYR250.00 for Deluxe room.

The 2 Queen Bed room was spacious and so do the bathroom!

The bathroom of the room at Grand Paragon Hotel, JB.

We checked-in about 1pm, and have plenty of time to explore around the hotel area....

The main entrance. The staircase at the end is towards the Japanese Restaurant at M Floor.

The lobby area is spacious!

You will fall asleep if you relax on the sofa, because the Air-Conditional was cold...

Nice Lightning!

Japanese Restaurant at M Floor

After the Ground and M Floor, we continue to 11th Floor, the swimming pool...

The swimming pool of Grand Paragon Hotel

The swimming pool is kind of special which located outdoor and in the shape of half circle. It's not the Olympics size but it's comfort enough...

I woke up late in the next morning and I missed the breakfast! But my wife and my daughter were enjoyed the delicious breakfast very much!
Overall, we are satisfied with the 4 stars Hotel and the staffs are very friendly! It's worth to have a comfort stay at Grand Paragon Hotel, Johor Bahru.

Rated : 4.8/5

GRAND PARAGON HOTEL
18, Jalan Harimau, Century Garden, 80250, Johor Bahru, Johor, Malaysia.
Tel : +607-268 5222
Fax : +607-268 5333
Email : info@grandparagonhotel.com.my
Website : www.grandparagonhotel.com.my
Reservation Hotline : 607-268 5331 / 607-268 5332


Location map of Grand Paragon Hotel, Johor Bahru


Hans Silvester: Omo Valley Fashion



The May-June issue of American Express' Departures magazine features the work of photographer Hans Silvester, a German photographer, who documents the extraordinary body painting of the Surma and Mursi peoples of the Omo Valley in southern Ethiopia.

The Surma and Mursi tribes are body painters. They paint their bodies with natural pigments made from the earth. They paint themselves and each other in a tradition that has remained unchanged for millenia. They use their bodies as canvases, painting their skin with pigments made from powdered volcanic rock and adorning themselves with materials obtained from flowers, leaves, grasses, shells and animal horns.

Hans Silvester was born in Lorrach, Germany, and is now based in southern France. He is recognized for a wide-ranging body of work and a protracted study of his subjects, most frequently nature, animals and the environment.

As the issue of Departures isn't yet on-line, many of the Omo Valley Fashion photographs can be found on The Daily Mail issue of February 2008.

Michael Rubenstein:India

Photograph © Michael Rubenstein-All Rights Reserved

Michael Rubenstein is a photographer based in Mumbai to cover South Asia for Redux Pictures, having lived in New York City and Portland, Oregon. He has a degree in Environmental Policy and has studied at Ohio University's School of Visual Communications.

His clients include: Time Magazine, Newsweek, The New York Times, The Wall Street Journal, The New York Times Magazine, The Oregonian, The Chicago Tribune, The Financial Times, Complex Magazine, The Paris Match, Bloomberg News Service and W+K.

Some of his work on Andheri, a Mumbai suburb being transformed into a hip neighborhood appeared in the NY Times. And it's interesting to see the stylistic difference between this photo sideshow and his India gallery on his website.

POV: So Whose Lapse In Judgment Is It?



Update evening of 4.25.2010: Both Marco Vernaschi and the Pulitzer Center For Crisis Reporting responded to the critics.

I was pleased to read this final paragraph of the response (my emphasis):
We do not suggest that the decisions involved in this reporting project are anything but difficult, as we hope was apparent in our statement accepting responsibility for what we believe was a mistaken decision to exhume the body of Babirye and to publish the image on our site. It is our hope that these issues can be discussed without malice, distortions and groundless attacks on the personal motivations of others.-- Jon Sawyer, Pulitzer Center Executive Director

My morning's post follows:

Along with many others, I wrote a post a few days ago on a story being discussed in photojournalism circles and blogs, involving Marco Vernaschi, an Italian photographer/photojournalist who worked on a project documenting the phenomenon of child witches, human sacrifice and organ trafficking in Africa, and the Pultizer Center For Crisis Reporting. The story as it evolved during the past week hinged on the veracity of Vernaschi as to the circumstances behind the exhumation of a Ugandan girl, and the Pultizer Center's publication of the photograph(s) and its subsequent apologies for doing so.

I am listing the links to these blogs/websites all through this post.

Asim Rafiqui in his always insightful (and frequently provocative) blog The Spinning Head asks:

"Why did Marco Vernaschi do it?"

An important and pertinent question, but mine is different. I don't really care why Vernaschi did it. Perhaps he rationalized that exhuming a child's corpse and photographing it was the right thing to do...that it would bring this issue to the West's "consciousness" (as if we really would and could do something about it)...that it would win him more photojournalism awards...that it would make him the best photojournalist in the world...that it would justify his grant from the Pulitzer Center...that it would put bread on his table or pay his mortgage or pay his children's school fees...whatever. I believe he was wrong, and that's the end of it.

I ask the same question but of The Pulitzer Center For Crisis Reporting's Executive Director and his staff . It was The Pulitzer Center which published Vernaschi's photographs and his essays. So here's the real nub of the matter: why did they do it and why didn't they check the details' veracity before publishing? Had they done what in banking circles is called "due diligence", they may have realized what the incomparable Benjamin Chesterton of A Developing Story did. Had they investigated the story a little more seriously, they may have realized what the courageous Anne Holmes of The Vigilante Journalist did.

As I expressed in my POV: And The Outrage Continues involving the publication of a photo essay on a young girl in Kurdistan being circumcised, photographers and photojournalists operate under intense competition and pressure to submit cutting-edge work, and frequently lose sight of what is right. Exhuming the body of a young girl for a photograph is beyond the pale, but the decision for its publication wasn't Vernaschi's...it's the Pulitzer Center's. I'm not at all exonerating the photographer for what he did, but I'm more critical of those who agreed to publish these photographs.


Let's get real. If most publishers (especially those of Pulitzer's repute) refused to publish photographic tripe of dubious ethical provenance, photographers would toe the line....but because sensationalism has pervaded our media, they cut corners and lose sight of what is right..especially when it involves poverty-stricken Africans or Arabs, who have no or little legal recourse to protect their privacy rights.

Let's all remember how aghast we were when photographer Adnan Hajj was accused to have digitally manipulated photographs (ie cloning thicker plumes of smoke from IDF missiles already raining on Beirut), and we kept tut-tutting about it until Reuters fired Hajj and a photo editor, and subsequently issued new policy guidelines for its photographers. Adding some smoke plumes or exhuming a body for a photograph...which is worse?

Yes, the Pulitzer Center apologized, and promised to "redouble (its) efforts to authenticate every claim and to insure the privacy rights of individual victims."

Is that enough? I don't believe so.

Other links:

To stage or not to stage? by Jørn Stjerneklar.

Conscientious by Jörg M. Colberg.

Kevin Bubriski: Nepal

Photograph © Kevin Bubriski-All Rights Reserved

Kevin Burbriski arrived in Nepal as a Peace Corps volunteer in 1975, and spent about 4 years working in remote villages. He returned in 1984 as a photographer, and with a 4” x 5” view camera, a Nepalese photographic assistant, and two porters, he traveled the length and breadth of the country for the better part of three years.

I mentioned Kevin Bubriski's work on this blog in connection with his exhibition at the Rubin Musuem in NYC, but I read (via PDN) that he was named the 2010-2011 Robert Gardner Visiting Artist Fellow at Harvard University’s Peabody Museum of Archaeology & Ethnology. The fellowship carries a $50,000 stipend and will allow the photographer-documentarian to continue his work in the northwest of Nepal.

His work is in the permanent collections of the Museum of Modern Art, The Metropolitan Museum of Art, and the International Center of Photography, all in New York; the San Francisco Museum of Modern Art; the Yale University Art Gallery, New Haven; the Center for Creative Photography, Tucson; and the Bibliotheque Nationale, Paris.

Kevin's website showcases his work from Venice, Pakistan, India, Morocco, Uzbekistan, Egypt and Nepal among other countries...but it's his work of Nepal that resonates the most with me.

Foundry Photo~Journalism Workshop: Istanbul

The Foundry Photo~Journalism Workshop 2010 is in Istanbul, and if your dream is to be coached by some of the best photographers and photojournalists available, do it now!

The roster of instructors reads like a Who's Who in the world of photojournalism: Tyler Hicks, Lynsey Addario, Jared Moosy, David Bathgate, Jon Vidar, Anastasia Taylor-Lind, Rena Effendi, Ron Haviv, Andrea Bruce, Ami Vitale, Kael Alford, Adriana Zehbrauskas, Henrik Kastenskov, Stephanie Sinclair, Guy Calaf and Tewfic El-Sawy.

The courses currently offered are FROM VISION TO LIFE: Documenting social issues outside the mediaʼs agenda setting; Transitioning to the new world of Photojournalism; Formulating a Photo Essay; Photographing stories; Intimacy and Empathy in Storytelling; Capturing Cultures – Communicating Without Boundaries; The Essential Guide to Backpack Journalism; Introduction to Multimedia Storytelling, and many more.

Here's another thing...photographers like Dhiraj Singh who attended a class at the 2009 Foundry Photojournalism Workshop in India was awarded Honorable Mention (Feature Audio Slideshow) in the National Press Photographers Association's Best of Photojournalism 2010 for an audio slideshow made during that workshop.

Yes, dreams come true when you attend the Foundry...so get on it! There are still a handful of places available.

Ralph Childs: Bali

Photo © Ralph Childs-All Rights Reserved

Photo © Ralph Childs-All Rights Reserved

Although Ralph Childs participated in my photo~expedition to Bali in summer 2007, he's once again joining Bali: Island of Odalan Photo-Expedition™ which I'm organizing and leading this coming August.

Ralph is an active member of the Arlington Camera Club, and his photographs of a Balinese dancer and of a Pemangku (Balinese priest) have both won awards at this month's competition.

He has indulged in a passion for photography since the late 1960s when he took a Minolta ALs camera to France, and he has continued his passion since. Ralph has already been on four of my photo~expeditions, and this coming August will earn the fifth notch on his belt.

Frontline: Dancing Boys of Afghanistan


On Tuesday night, I watched the harrowing Frontline: The Dancing Boys of Afghanistan which exposed an ancient practice know as as "bacha bazi" which, literally translated, means 'boys' play'.

This illegal practice exploits orphans and street boys, and has been revived by powerful warlords, businessmen and military commanders in Afghanistan. These men dress the boys in women's clothes, who are trained to sing and dance for their enjoyment. The dancing boys are also used sexually by these men.

This is outstanding journalism by Afghan journalist Najibullah Quraishi, and my hat's off to PBS and to the Frontline producers for doing such an admirable job. I was particularly impressed by Quraishi and his producers' attempts to arrange the rescue of one of the dancing boys profiled in the film, an 11-year-old boy bought from an impoverished rural family.

In contrast with other productions (see my post of yesterday, for instance) the 11-year boy's face was blurred throughout the film to preserve his anonymity and self-respect.

Homosexuality is forbidden in Islam, and yet pederasty and boy concubinage has had a long history in the Persian cultural world which includes much of Afghanistan.

WP: India In Motion


The Travel section of the Washington Post has featured a collection of short videos titled India In Motion. The videos are somewhat eclectic, and start with fast paced clips of Mumbai, then Udaipur, Jaislamer, Agra, Haridwar and Rishikesh.

The videos are by Whitney Shefte, while the design is by Kat Downs. It's unfortunate that some of the music choices chosen to accompany the videos are incongruous. For instance, I'm still scratching my head over the logic of having music which sounds it's played by a Central European zither group with a video clip featuring camels in Jaisalmer!

I realize that the Washington Post is not the National Geographic, but India In Motion is superficially researched, and seems to meander with no clear objective and purpose. It puzzles me when a project such as India In Motion, with the considerable backing and funding of one of the premier newspapers in the world, ends up being an incoherent mess like it is.

Series of Steaks from Thamara Cafe, Taman Bukit Indah, Johor Bahru

Wanna share the New series of Steaks from Thamara Cafe, Taman Bukit Indah, Johor Bahru.

Grilled New Zealand prime Striploin with Beef Jus served with Mesclun Salad & Mashed Potatoes.

Grilled New Zealand Prime Steer Rib-eye with Special Beef Jus, Mashed Potatoes and Mesclun Salad

Grilled New Zealand Tenderloin with Portobello and Special Truffle infused Beef Juice, Mashed Potatoes and Mesclun Salad

Grilled New Zealand Tenderloin - Medium (Pinkish and succulent)

Grilled New Zealand Tenderloin served with Red Wine Jus

If you are Steak Lover, you definitely won't miss the steak serve by Thamara Cafe! Probably the Best Steak in town!

Related post :
Thamara Cafe at Taman Bukit Indah - Skudai, Johor.

Thamara Cafe
14, Jalan Indah 16/7,
Taman Bukit Indah, Johor Bahru.
Tel : +6012-7373103 / +6016-7171343
Business hour : 11AM - 10PM (Close on Monday)


Location map of Thamara Cafe, Taman Bukit Indah


POV: Marco Vernaschi & Child Sacrifice



Update: 4.25.2010: See my follow-up post So Whose Judgment Lapse Is it?
Update 4.22.2010: Jon Sawyer of the Pulitzer Center responds, and within the response is this:

"Yet we also believe, and Vernaschi agrees, that it was wrong to ask that the body be exhumed. It showed disrespect for the dead, and forced a grieving family to suffer anew. It also had the effect of focusing attention on the actions of one journalist, as opposed to a horrific crime that needs to be exposed.

We regret any damage that may have been caused. We intend to continue this project, documenting the phenomenon of child sacrifice, but in so doing we we will redouble our efforts to authenticate every claim and to insure the privacy rights of individual victims.
"

Here's my original post 0f 4.21.2010:

Here's another story that is guaranteed to make your stomachs churn. It involves Marco Vernaschi an Italian photographer/photojournalist who worked on a project documenting the phenomenon of child witches, human sacrifice and organ trafficking in Africa, and the Pultizer Center For Crisis Reporting.

I have linked to various photographs, but be aware that these are highly disturbing.

It appears that the Pulitzer Center funded Vernaschi to do a story on child sacrifice in Uganda, and it published some of his hard-hitting photographs in an article titled Uganda: Babirye, The Girl from Katugwe, in which the photographer convinces a Ugandan mother to allow the exhumation of her mutilated daughter's body in order to photograph it as "visual evidence". The photograph of the corpse is then shown on both Vernaschi's website and on the Pulitzer Center's. Payment (described as "a contribution for a lawyer") was made by the photographer to the mother.

Another photograph on Vernaschi's website shows an abused boy with a catheter protruding from where his penis has been cut off. His face is clearly shown.

Vernaschi's website explains that
"Child sacrifice in Uganda is a phenomenon that has embedded itself within traditional customs but that bears no genuine relationship to local culture. The appeal to "cultural beliefs" is actually an excuse used by witchdoctors to justify their crimes, and by the Ugandan government to avoid taking action. The government tries to minimize the magnitude of the problem because politicians fear losing votes and this is a a country where witchdoctors wield surprising influence at the polls."
I'm all for documentary coverage to expose and stop this barbaric practice...there's no argument there. However, for a photojournalist to ask (and then pay) for the exhumation of a body beggars belief. Had the child died in a ritualistic murder in Italy, could Vernaschi been able to ask its family to exhume the body for a few pictures? Had he been able to photograph an Italian baby boy with a catheter sticking out of his groin? Why can't these photojournalists and publishers understand that they cannot continue to show pictures of mutilated children??

It's immoral. It's as simple and as complex as that.

As I wrote in an older post: To Vernaschi and to the Pulitzer Center's Board of Directors, Advisory Council and Staff: what if Babirye and the baby boy were your children, your niece and nephew or even just a relative...or an acquaintance? Would you still have photographed and published the photographs...or is it because they're "just" Africans?

Vernaschi is an award winning photographer....and well-experienced dealing with gruesome topics. Surely he could have photographed the story differently? Or is it about winning awards and applause from the rest of the lemmings?

Update: For a more detailed and comprehensive opinion, along with some responses from the Pulitzer Center, check A Developing Story.

Canon's Digital Photo Professional

Photo © Tewfic El-Sawy-All Rights Reserved

Photo © Tewfic El-Sawy-All Rights Reserved

Although I have a couple of international trips in the interim, my mind is increasingly getting focused on my forthcoming Bali: Island of Odalan Photo-Expedition™ in August, and to refresh my memory, I've been revisiting my RAW images files of my 2007 photo-expedition, and even processing some of them.

As is usual when I revisit images files after a while, I uncovered some images that I missed during my initial edits on my return from the 2007 trip, and some that are worth a second look. I viewed these with my Canon's Digital Photo Professional software (version 3.7.3) which, while admittedly somewhat clunky, still does a reasonable job as a viewer and RAW converter.

I also used DPP's built-in image processor, and edited the images you see in this post entirely with it. I didn't use CS or LR at all. I'm not suggesting that DPP replaces any of those, but I was surprised that it did such a reasonable job in adjusting the exposure, de-saturating the colors and sharpening the images of the Legong dancers.

Ashok Sinha: Kashgar

Photo © Ashok Sinha-All Rights Reserved

Here's another photo gallery of Kashgar and the Uyghurs by photographer Ashok Sinha, who traveled in China and was touched by their plight, which prompted him to document their disappearing ways of life. The photo essay is part of a larger project that is titled Life in Balance: The Human Condition in Xinjiang.

Kashgar is a city of 3.4 million surrounded by mountains and desert, and is located at Xinjiang's westernmost tip. It is closer to Baghdad than to Beijing. As a minority, the Uyghurs see their 2000 year-old culture and heritage being erased by the Chinese authorities, with much of Kashgar's old town being demolished. This was justified by the Chinese for safeguarding the population from the collapse of the old buildings in the event of an earthquake, and that the demolition is necessary to the “modernization” of the Uyghur people.

The old city is considered to be one of Central Asia's best preserved sites of Islamic architecture.

The New York Times has featured an audio slideshow on Kahsgar just under a year ago titled A City, and People, at Crossroads that explains the situation.