Richard Van Le: Cao Dai

Balian in Canggu-Image Copyright Tewfic El-Sawy
Richard Van Le is a New York City photographer, with impressive images from Vietnam, Thailand and Indonesia.

His website has a handful of galleries, and his images of the Balians (Balinese rural healers) managed to capture the mystical elements of these healers' profession. I documented Balians during my stay in Bali, and I recognize some of them in his gallery. However, it is his work on the Cao Dai in Vietnam which I recommend on TTP.

Cao Dai was established in the Southern regions of Vietnam in the early 1920's as an attempt to create a perfect synthesis of world religions. It is a combination of Christianity, Buddhism, Islam, Confucianism, Hinduism, Geniism, and Taoism.

Van Le's website is Flash-based and you can visit his Cao Dai and other galleries here

Complexities of Conflict Photography

On February 23, The International Center of Photography held an event titled Taking Sides in Conflict Photography, and three of the panel joined Leonard Lopate of WNYC to discuss the challenges of covering the conflicts there, and the ethical questions of photographing events in the region. They also talk about whether their own backgrounds and ethnicities factor into their work. Isa Freij was born and lives in Palestine.

Isa Freij, a cameraman for CBS and a documentary filmmaker, Shaul Schwartz of Getty Images, and Heidi Levine of Sipa Agency are all currently working in the Middle East. Isa Freij was born and lives in Palestine. Shaul Schwartz was born in Israel and lives in US. Heidi Levine was born in Boston and has lived in Israel for 20 years. I wouldn't describe any of these three people as particulalry articulate. There's some stumbling and hesitation in their replies, but on the other hand I also think that it's refreshing to hear unrehearsed/unprepared responses on major media outlets.

This is the first podcast on TTP. Click on the icon to download the WNYC mp3 to your iTunes: 


Nuri Bilge Ceylan: Turkey Cinemascope

Baker Boy in Urfa-Image Copyright Nuri Bilge Ceylan
While scouting locations for his latest film, the award-winning Turkish film maker Nuri Bilge Ceylan has photographed superb panoramic monochrome scenes all over Turkey during the past five years. These superb photographs were exhibited in international venues, and gleaned clamorous praise from critics and the public.

Ceylan's website offers us 70 panoramic images of exceptional quality and composition. The size of his images is 17x46 inches, and are of archival pigment ink on cotton rag paper. My favorite is the one above, entitled Baker Boy in Urfa. There are many others that I single out, such as Man in Mardin, Mothers & Daughters, Village in Cappadocia and Street in Birgi.

An excerpt from the Evening Standard in London: "Nuri Bilge Ceylan possesses an exceptional sense of composition, and often shot where an arcing road gives views in two directions: Curved Street in Winter, Istanbul, opening onto a hill framed with old houses, and Baker Boy in Urfa, posed between the receding arms of a cobbled alley."

Here's Nuri's website: Turkey: Cinemascope

India: The Holy Caves of Ajanta

Image Copyright Sam Hollenshead/Polaris for The New York Times
One of the objectives of TTP is to blog about worldwide sites that are of interest to travel photographers; preferably uncommon sites that are off the beaten path. However, travel photographers are also interested in popular travel destinations so that they can sell their photographs of such places to travel catalogues, to accompany travel essays in magazines, and/or to publish in guidebooks or travel books.

The Ajanta Caves is one of those sites. It is a UNESCO World Heritage Site, designated as such back in 1983 as one of India’s first, along with the Taj Mahal. It consists of a series of 29 caves that have been carved deep into this sheer face of a horseshoe-shaped cliff a few miles from the old walled town of Ajanta, hidden away in the deep gorge gouged in the high Deccan plains by the Waghora River about 300 miles inland from Mumbai.

The New York Times has published a slideshow of photographs on the Ajanta Caves by Sam Hollenshead/Polaris, and accompanied by a terrific narration by Simon Winchester.

The Holy Caves of Ajanta

Beyond The Frame: Tattooing Monks

From The Tattooing Monks of Wat Bang Phro-Copyright 2005 Tewfic El-Sawy
For this week's Beyond The Frame feature, I chose my image of a Thai being tattooed, his skin being pulled tautly by his friends.

I had heard of a monastery not far from Bangkok that specialized that had the best tattooing artists in Thailand. These artists were Buddhist monks who worked virtually around the clock, tattooing religious designs on Thais and the occasional foreigner.

With a taxi driver who seemed to know how to get to Wat Bang Phro, and about half an hour of frenetic driving, we got to the monastery. Before allowed in, I was first interviewed by a senior monk who wanted to be reassured that I did not intend to defame the practice in any way. Allowed then to photograph as I pleased, I walked in a room where two monks were busy. They used long metal rods, sharpened to a fine point, and had uncanny precision in their work. I watched in disbelief how fast the monk's hand moved...it was just a blur. Here, antiseptics range from regular rubbing alcohol to a local rice wine, and toilet paper paper to blot any blood. I was told that the ink was made from snake venom, herbs, and cigarette ashes. The monks' talents as tattoo artists are available for an offering of orchids, a carton of Thai cigarettes (preferably menthol-flavored) or perhaps a few Bhats towards the upkeep of the Wat.

The tattoos, as inscribed by these Buddhist monks, are defensive in purpose since they are to protect the wearer from any harm. Here in Thailand, tattoos are considered by many to have powerful powers, and to prevent bad luck in general.

It was quite difficult to find a good spot to photograph in this room. The sunlight came through two windows, but the corners of the room were dark, and I couldn't ask the monks and their 'clients' to hold a pose. This was purely a situation where one photographs as one can, irrespective of angles. I was on top of them, to their side...anywhere I could find some space.

EXIF: shutter speed 1/13 sec.- fstop 5.6 - iso 200 - focal length 28mm - no flash fired.

Tyler Hicks: POYi Award

Image Copyright Tyler Hicks/The New York Times
I'm glad that New York Times' photographer Tyler Hicks got the POYi's Newspaper Photographer Of The Year award. His photography is superlative and incisive. His images of last summer's war in the Lebanon (as the one above of Lebanese women at a hospital with their children after their village was destroyed) brought the conflict to life on the NYT's pages.

This award is apt recognition of Hicks' professional integrity which came under attack from agenda-driven bloggers because of his work in the Lebanon.

More photographs from Hicks' of the Israel/Lebanon conflict are here: POYi

Chinese New Year 2007

The New Year trip as usual........back to Bkt. Gambir, Muar on 17/02/2007. Traffic was smoothsssss.........till in-law home almost 10:30pm.

Try to trigger the both repeater : 9M2RGL & N-Link. Both working well! Because of the itchy hand & month.....try to CQ, and got some contact. 9W2MTX (Robert) is the only one I can remember now......

We were touring at Muar town on the 19/02/2007. Found out a lot of roads, streets & POIs are not in the MalSingMaps! (Did some tracking & collecting POIs)
And cos my Nikon Camera attack by some viruses, it doesn't functioning well......miss a lot of Golden Moment!!!

After boring hanging around at for 3 days.....decided drive to KL (20/02/2007) for one day before PG. NSE was JAMMED like nobody business from Melaka to Seremban cos too many cars. Took me 4 hours to reach Villa Angsana (N3°11.590' E101°41.080'), KL. (Lau Kee Sern home)

After dinner at Kah Lok Restaurant.....Kee Sern brought us to the Titiwangsa Park (N3°10.650 E101°42.269) and the main intention is the 60-meter High Structure : Ferris Wheel "Eye on Malaysia".

Too bad while reached there almost 11pm.......miss the boat!

Operating hours are 10am to 11pm Sunday to Thursday, 12 midnight Fridays, Saturdays and before public holidays. Tickets are available for RM15 Adult and RM8 Child. 42 air-conditioned gondolas, 12 minutes for one rite.


Hmm.....very difficult for us to accept the 'used' Ferris Wheel from Bangkok cost "30 million ringgit"!

KL, 21th FEB 2007
After lunch at nameless kopitiam, we suppose on the way to the north.....but Kee Sern suggest visit the AQUARIA in KLCC Suria ( N3.157389° E101.712158°). So......let's do it!
Reach KLCC around 2pm, was crowded! And find & dig the path to the Aquarium.....that was a long walkway in the Complex and connected thru a parking area then......the Aquarium. What's a coincidence that meet Alam (9W2ALM) and family at the entrance of the Aquarium, he was about to leave. This Would Ain't That Big! Huh?

The entrance fee for Adult : RM28.00 and Children : RM22.00. WAH! The aquarium is open from 11am – 8pm daily (include public holiday), with last admission at 7pm.

Some pictures below :-



The almost 6 meter tall rounded aquarium with full of fish.



It was so crowded.....!


Trying to shoot from top of the pond, suddenly.......look at the baby so excited!



The way to the Underwater World.




After the exit of the Aquarium, as usual ....... the path direct us to the Souvenirs Shop.

I LOVE TORTOISE ONLY!!


Finish the tour around 3:30pm.......
Will try the "Dive With Sharks" next visit......
Please visit the main page of AQUARIA for more events and promotions.

Nothing much after that, and prepare for the journey to PG. Depart on 4:30pm......estimate the arrival time at PG will be 11pm......

22nd FEB 2006
Penang.
Nothing much this year at PG, meet up with Alan and the gang at E-Gate Penang (beside TESCO)on 22nd FEB 2006. There were four of them from Malsingmaps.

Meet up with the HAM's fellows on 23rd FEB 2006 at Penang YMCA International House, Macalister Road.
Too bad my baby felt sleepy after reached there abt 20 minutes.......force to go back......
Not even have a good chat with all of the HAMs there.......see you guys next time!

Drive back to Johor on 24th FEB 2006 around 4pm........the traffic on the NSE was so smooth!
That's end the New Year Trip of mine! :)

India: The Bathing of a Saint

Eternal flame at Bahubali's Feet - Image Copyright 2002 Tewfic El-Sawy
The Mahamasthakabhisheka is an important Jain festival held once every twelve years in the town of Shravanabelagola in the state of Karnataka (India). The festival is held in veneration of the 18 meter high statue of the Bhagwan (or Saint) Gomateshwara Bahubali. The most recent anointment took place in February 2006, and the next ceremony will occur in 2018.

As the Mahamasthakabhisheka begins, consecrated water is sprinkled onto the participants by devotees carrying 1008 specially prepared vessels. The statue is then bathed and anointed with libations such as milk, sugarcane juice, and saffron paste, and sprinkled with powders of sandalwood, turmeric, and vermilion. Offerings are made of petals, gold and silver coins, and precious stones.

I did not attend the Mahamasthakabhisheka, but I traveled to Shravanabelagola in 2002, and experienced for myself how arduous it is to climb up (and eventually down) the endless stairs that the pilgrims take up to the statue. An incredible site of tremendous significance for Jains, and highly recommended when a festival is scheduled.

Michael Robinson Chavez, a photographer with the Washington Post, documents the unique festival of Mahamastakabhisheka.


Here's the Slideshow

John McDermott: Images of Asia

Image Copyright John McDermott
John McDermott has been photographing Southeast Asia since the early 1990s, and traveled extensively throughout the region. During these travels, he developed a strong interest in the many cultural heritage sites and ancient historical ruins spread across the continent.

He witnessed the total eclipse of the sun at Angkor in Cambodia in October of 1995, and seeing the monuments in the eerie surreal light of the eclipse, inspired him to use infrared film to render the subjects most closely to what he saw then. His superb prints combine the impressionistic, moody effects of infrared film with a subtle sepia tone to achieve this effect.

McDermott's gallery in Siem Reap is a must for anyone visiting Angkor Wat, who has an interest in beautiful imagery.

From his simple-to-navigate website, I've chosen his excellent Indochina gallery which showcases images from Vietnam, Laos, Cambodia.

Here's Images of Asia; Indochina

Fado: Lisbon Journal

Image Copyright Michael Barrientos/NY Times
I haven't been to Portugal yet, but the fado, the closest it has to a national form of song, is one of my favorite music genres. The New York Times brings us a multimedia feature about fado, with the voice of Misi, the current fado diva, and voices of other fado singers in a Lisbon cafe. Misi's voice and status in Portugal reminds me of the late Edith Piaf...the quintessential voice of Paris.

Fado, or fate in Portugese, is characterized by mournful tunes and lyrics, often about the sea or the life of the poor. The music and the songs speak to home-sickness, longing and nostalgia. Some musicologists believe it has its roots in Africa, and is influenced by Arabic music.

In the "Lisbon Journal" multimedia (slideshow) feature, don't miss frame #11. Photographer Michael Barrientos has perfectly captured the expressions of the restaurant's cooks as they watch the ongoing fado performance.

I'm curious as to why the New York Times hasn't graduated to more advanced slideshow viewers, and is still stuck to the rather dorky 'frame-by-frame' model. The "Lisbon Journal" would have been so much more effective had the NYT used Soundslides or similar software, and it would have been really a 'multimedia' experience. The audio edit could've been done better since the sound track stops almost abruptly.

Here's the slideshow Fado Feature

Here's the accompanying Article

Picture of the Year International

Image courtesy of POYI
POYI is in the process of announcing its awards over the coming three weeks. The above photograph (not yet attributed publicly to a photographer) was given the Award of Excellence in the Human Conflict category.

Here's the photograph's caption:

"ANGRY CHILD" An Iraqi boy looks out from a room where women and children are sequestered at Sgt.Trevor Warrior of the 1st Battalion, 23rd Infantry Regiment of the Second Infantry Division (the 'Stryker Brigade') December 2, 2006 in the tense Shulah neighborhood of Baghdad, Iraq. Soldiers with the 1-23 were searching house-to-house for weapons or other insurgency-related items, and women and children of the house usually are placed in a separate room from men during these searches.

Here's what I would add to the caption: The child will not forget his anger nor his fear. The women will not forget the humiliation. No one in the Middle East forgets.

Picture of the Year International

World Press Photo 2007 Follow Up

Readers of TTP may remember my post of February 13, 2007 in which I offer my opinion on Spencer Platt's photograph of Lebanese youths cruising in a bombed Shia neighborhood of Beirut, and which was awarded first place by the World Press Photo 2007.

Well, it seems that these Lebanese youths have now been interviewed by a freelance journalist, and they certainly appear to be defensive about how their appearance in the photograph was interpreted by the rest of the world. Naturally, they profess that their driving in a convertible car in glamorous clothes was grossly misconstrued.

Here's their explanation as to the reason why they were dressed as they were:

"Hey, we're Lebanese," says Noor. "It's not like we dressed up like this to go visit the Dahiye. We dress like this every day. On any other day, nobody would have given us a second glance. It was the contrast with the destruction in the background that made the difference." There is something the world needs to understand about Lebanon, adds El Khalil. "Glamour is a very important part of life here. It transcends class. Even if you're poor, you want to look glamorous."

"Even when you're poor, you want to look glamorous". What a moronic statement. Has it occurred to these zombies that a lot of their compatriots died in the Israeli attacks?

Here's the full text of the article via PDN

Bruno Barbey: Morocco

Meknes, Morocco- Image Copyright Bruno Barbey
Bruno Barbey is a French photographer, well known for his uncompromising work and for being an early member of Magnum. Over four decades, he has journeyed across five continents and numerous world conflicts, and although he does not consider himself a war photographer, he covered the civil war in Nigeria, Vietnam, the Middle East, Bangladesh, Cambodia, Ireland, Iraq and Kuwait.

His work has appeared in most major magazines in the world. A prolific author who often exposes and expresses himself in book form, he has frequently worked in Morocco, the country of his birth and childhood.

His website is not the most attractive, however I bring it to you for his splendid work on Morocco, despite the low resolution of the images. One of these images is made in Meknes in 1985 and is well worth your time. The yellow ochre walls of the mosque, and the hunched figure wearing the traditional Moroccan djellaba appearing through the archway, is simply a classic. Another one taken from above a public fountain is also delightful. His galleries number 9, 10 and 11 have panoramic style images of Morocco as well.

Bruno Barbey

Canon: Rumors Were Right

DPreview.com reports that Canon has today announced the latest generation of their EOS-1D series. The Mark III has a ten megapixel APS-H (1.3x FOV crop) CMOS sensor and can shoot at ten frames per second. It features the updated DIGIC III image processor, a new 19 area Auto Focus system, up to ISO 6400 and a 3.0" LCD monitor (with a live view feature). The Mark III should ship in April for US$ 3999.

I've been waiting patiently for such this announcement. Now, let's wait and see if it's as good as the press release promises.

DPreview

Format Pixel

Format Pixel is a new Flash-based online application that allows you to create 'page' based presentations, and to create your own online magazines, brochures, catalogues, portfolios and so on. Using the formatpixel online editor you can design page based projects, layout text, upload your own images, add interactivity and customise their appearance.

In my earlier post of February 16, 2007 I introduced Latitudes magazine, an attractive Italian travel "webzine", which is in all probability created by a similar program.

It's a very elegant way of presenting one's portfolio, however it's not as easy as it looks to set it up. I tried the free trial and was unsuccessful in changing image sizes once these were placed on pages. There's no guidance on the website that I could find. Maybe someone will test it and be more successful than I was.

Format Pixel offers a free trial version which allows the uploading of only 512k (which is an anorexic limit as it isn't enough to upload a high resolution image which this application really requires), and there are other paying versions starting from about $30 a year for 5 mb to $80 for 20 mb. Users are given their own URL to showcase their projects.

Although the application certainly produces beautiful results, I think that photographers will not bother with it. It's expensive, and there are other products available. My guess is that this business model will not survive a year.

Here's a sample.

The main website is: Format Pixel

Aaron Huey: Sufism In Pakistan

Uch Sharif, Pakistan- Image Copyright Aaron Huey
Aaron Huey is a professional photographer who has shot all over the world, from the religious schools of the Taliban, to anti-American protests in Iran, lost temples of Eastern Burma and the tribes of the Caucasus. He worked in New York City in 2001 as assistant to photographer Steve McCurry.

His photographs have been published in the December 2006 National Geographic, and further photo essays are scheduled to appear in the National Geographic Traveler (3 features in 2007), Smithsonian Magazine (2007), and GEO France (early 2007).

Huey's website includes many interesting galleries, and perhaps predictably, I've chosen his gallery "Sufism in Pakistan" for this TTP post. The above image of a Muslim Sufi at a grave in a Muslim cemetery is breathtaking. The luminosity and the composition of this image are wonderful, and it's no wonder that the National Geographic chose it to appear in its December issue. Also look for the colorful and expressive Sufi musician in the Sufism gallery. It's a shame that there aren't more (or larger) images.

In my view, there's no question that Huey has long left McCurry behind.

Aaron Huey

POV: Attitude

Badnor Village (Rajasthan)- Image Copyright Tewfic El-Sawy

I travel to many countries around the world which gives me the opportunity to photograph people of different and varying cultural backgrounds, but I've always grappled with the problem of how best to approach and photograph people to show the essence of their personality, without being intrusive and rude.

When I started off photography, I relied on a long lens such as the Canon 70-200mm almost exclusively. It gave me the ability of photographing people from a comfortable distance, and I could sneak off a few shots before being 'discovered'. I no longer use this technique as it isolates me from my subjects, removing any intimacy from the final photograph.

Some people don't seem to have any problems in invading personal spaces. In Bhutan recently, I saw tourists walk up to a monk in a monastery or to a farmer in his field, stick a camera in their face, looking down at the LCD to make sure they got the shot and scoot off without a word of thanks.

I now use short lenses such as the 28-70mm, or the 16-35mm, any of which I have on all the time on my camera. I approach people I wish to photograph openly and just ask permission to do so, using sign language if I have to. If it's a static situation, I always take the time to show them their pictures in the LCD, and even ask them to change the pose if I feel another is needed. I flatter the people I want to photograph, and that removes any inhibition they may have. If my objective is to photograph women, I start photographing their children if any are available, and I show them the pictures. Invariably, the women will accept to be photographed...their husbands may grumble but as I include them in the picture-taking, they relent.

Now, in certain cultures such as in the Middle East and other Muslim countries, this approach would get me into trouble. I got into such trouble in the souk of Marrakech while using my long lens, photographing an elderly man on the sly. Someone noticed what I was doing and tipped him off. The result was not pleasant. Another unpleasant experience was in a Sufi shrine in India, where I was photographing a woman in the throes of a trance at close quarters. She suddenly snapped out of it and grabbed a rock to throw at me. Needless to say, I left in a hurry and she missed.

The other tricky issue relates to whether a travel photographer should pay to photograph someone. I generally avoid doing that, and often refrain from photographing if asked for money. Some people advocate buying something from vendors (when they are the subject of the photographs), but I prefer promising 6x4 copies of the photographs...and I keep my word! In the event that my subjects are musicians or dancers, then I gladly tip them for sharing their art...but not for the photographs. A distinction which I make clear to them.

Finally, I always try to learn a few words in the local language...and thanking people in their own langugae is always appreciated...and gets you laughs.

Jasmin Shah: Everyday India

Everyday India- Image Copyright Jasmin Shah

Jasmin Shah is a young photojournalist, who graduated from the University of Montana in 1999. She worked overseas and currently freelances for the Chicago Tribune, among other publications.

She has a number of galleries on her website, but what attracted me the most is the freshness of her images in the gallery 'Everyday India'. The simplicity and, at the same time, complexity of her compositions, along with the images' saturated colors, are marvelous. In her 'Everyday India' gallery, one of the photographs is of a man on a rickshaw, throwing back his head to eat paan while a Mc Donald's restaurant is in the background. Isn't it just perfect? Her street photography is beautiful, and she makes judicious use of shadows in her images (as the one above).

Jasmin Shah

Partial Color/Sepia

Peeping Toms (Bali)- Image Copyright Tewfic El-Sawy

Here's a simple Photoshop technique to convert an image to sepia, and paint spots of color back into it.

1) Open your image file In Photoshop, and select Image>Adjustments>Desaturate to remove all color from the image. The image should be still RGB.

2) Your image will now appear in black & white.

3) Go to Image>Adjustments>Photo Filter, and choose Sepia. In the Sepia dialog box, Adjust Density to your liking and also check Luminosity. Click OK when you're satisfied with the sepia image.

4) Select the History brush from the tool palette. Choose a brush size appropriate to the spots you've chosen to color in, using the palette located just under the file menu bar. The brush hardness should be 100%.

5) Using the History brush you can now “paint” the color back where you want it. Don't paint all in one stroke, but stop and go so you can undo any errors without having to start all over again.

6) Continue the process until the area is complete. Save.

Jan C. Schlegel : Pain & Beauty

Tibetan Monks- Image Copyright Jan C. Schlegel
Jan C. Schlegel is a photographer from Germany, whose ethno-photographic work is in the tradition of Phil Borges. His black & white portraits are partially toned, rich in details and in depth.

His black & white photographs are made with a 4x5 field camera on T-max film, enlarged and printed on fiber base photo paper, and partially toned with chemicals of Schlegel's own mixture. The lengthy process is then finished by selenium toning the photographs.

His photographs are of children and older people in Afghanistan, Ethiopia, Mali, Algeria, Pakistan and India. He assures us that no one in his posed portraits wear any make-up, nor were they asked to wear any special dress. Nothing was staged and nothing is fake.

I found the quality of these photographs to be remarkable. His website claims that he succeeds in not only creating artistic photographs, but in documenting the uniqueness of his subjects...the people who posed for him. Absolutely.

Jan C. Schlegel's Pain & Beauty

Film Loop Studio

Film Loop Studio is a free download and creates a a slideshow of any images or photos. It offers collages, title frames, text, tattoos, bubbles, frames and transparency tools to enhance story telling for both Mac and PC users.

I found it very easy to produce a slideshow of photographs, however there's no audio capability so far. The slideshow can then be added to a website, a blog, etc. The advertisements appearing on the side of the player are distracting but I suppose they have to generate some income after all.

World Press Network uses Film Loop for some of its photo essays. Here's a feature on India's Snake Charmers on the dying craft of snake charming in Orissa. The photographs are by Adrian Fisk.

WPN's India's Snake Charmers

Film Loop Studio

Katharina Hesse: The Stilt Walkers of China

The Stilt Walkers- Image Copyright Katharina Hesse
In recognition of the Chinese New Year, another highly talented photojournalist to grace TTP blog is Katharina Hesse, a photojournalist living in China and Germany. She holds a graduate degree in Chinese studies from the Institut National des Langues et Civilizations Orientales (INALCO) in Paris, and is one of a few foreign photographers who are accredited by the Chinese Ministry of Foreign Affairs, and lived in China for more than 13 years. In 2003 and 2004 she covered China for Getty ’s news service. Hesse is self-taught in photography, albeit with a temporary apprenticeship under Peter Turnley.

Apart from her sensitive work documenting the North Korean refugees in China, have a look at her photo essay on the stilt walkers of Yanqing. It seems that the tradition of stilt walking has virtually vanished from other Chinese towns and cities except in shows for tourists. Its relative remoteness has protected Yanqing's traditions, and farmers proudly continue their annual stilt walking performances that culminate in the annual contest for best costumes and performances among neighboring villages. Stilts were first used hundreds of years ago in China when farmers stood on stilts to pick fruit from trees.

Katharina Hesse

Beyond The Frame: Gotipua Dancer

Gotipua dancer - Image Copyright Tewfic El-Sawy

For the inaugural Beyond The Frame feature, I chose this image of a Gotipua dancer.

At the tail-end of a solo photo expedition in the tribal belt of central India, I stopped in Raghurajpur,a small village of artists and dancers about 20 miles from Puri in Orissa. I photographed Bibhuti Bhusan Champati, a young Gotipua dancer in front of his house in this small village, as he was waiting to perform. I had watched him, and others of this dancing group, expertly applying his make-up, under the watchful eye of their dance guru.

The tradition of Gotipua was introduced in remote villages of Orissa after the tradition of Devdasis was abolished following the Mughal invasions of India. Since women were forced behind purda during that period, dance masters trained pre-pubescent boys into the nuances of Devdasi’s dance to keep the tradition alive. The dancers wore feminine attire and applied make-up, but were not allowed to dance inside temples. Over a period of time their style of dance changed, and adopted many acrobatic elements. It was only after about 50 years ago that the Gotipua dancing style was admitted into the fold of classical dances of India.

Bibhuti's small house was painted in brilliant indigo, with intricate designs, dazzling in their colors, influenced by Hindu mythological paintings. After the photo shoot, his father asked for money for having allowed me, as he put it, "to use the colorful background' for his son's portraits. Bibhuti was at ease posing for my camera, probably used to tourists, foreign and local, who see him perform the Gotipua dancing in Puri and other major cities in India and even abroad.

EXIF: shutter speed 1/60 sec.- fstop 5.6 - iso 100 - focal length 70mm - flash fired.

Adobe CS2 Offer

For those who have Adobe Elements and $300 to spend, here comes an interesting and worthwhile offer from Adobe. Adobe Photoshop Elements customers are now entitled to buy Adobe CS2 software for $299, which is a saving of $350.00 off the regular price of $649.00.

All you need is the serial number of the Elements software. The CDs are in either Mac or PC versions. The offer expires on February 27. Once you install the CS2, you can try out the CS3 Beta as well.

Adobe CS2 Offer

Audio: Microphone Mount System

It was recently suggested by Bill Putnam, a photojournalist, that a solution to the problem of photographing and recording audio at the same time would be to use a Light Wave Mini Mount. Rather than switching his camera for his audio recorder and vice-versa to do so, he attaches the Light Wave Mini Mount to the camera's flash shoe for his microphone and does both. He uses a mono microphone with a narrow sound cone.

The downside to this system is that the microphone will catch the sound of the shutter, and possibly one's breathing...but it's an idea to be considered. I suppose it would be workable for ambient sound, by editing the shutter noise out...but that would not work for interviews.The other downside is that the mount is quite pricey at $165.

It's available at : B&H

Light Wave Systems

Natalie Behring: Shanghai Portraits

Shanghai Portraits - Image Copyright Natalie Behring
As The Travel Photographer blog has a significant number of readers hailing from China, I thought it's time for Natalie Behring to make an appearance here. She is a freelance photographer/photojournalist based in Beijing, and covered major stories across Asia, Mideast and Africa for major international magazines and newspapers. She has also worked for numerous NGOs.

Natalie's portfolio is comprehensive, ranging from China to Papua New Guinea. However, it's her B&W gallery Portraits of Shanghai which I chose for this post.

Look for Portraits of Shanghai on Natalie Behring

Michael Yamashita

Image Copyright Michael Yamashita
For over 25 years, Michael Yamashita has combined his passions for photography and travel by documenting the Asian continent for National Geographic. He has covered such diverse subjects as the Mekong River, the journeys of Marco Polo, The Great Wall of China, and much of Japan.

Yamashita decided that he wanted to become a professional photographer in the mid-70's, and started submitting images and pitching ideas to travel magazines in Japan, as well as in Hong Kong and Singapore. His images were bought by Singapore Airlines, for their brochures and calendars.

Returning to the United States a few years later, he started his career of with the National Geographic where he worked as a free-lancer for over 25 years. His recent Geographic stories have been long-term assignments, many of which have evolved into books.

A thorough professional, and a classic travel photographer. Here's a gallery of his images, courtesy of Double Exposure magazine.

Michael Yamashita

Canon Reviews

For Canon users: We all need a quick source of information and simple hands-on reviews on Canon cameras and lenses. The Digital Picture provides recommendations in simple non-technical (well, almost) language, and reviews on most Canon cameras and lenses.

It's a great first (and for some, the last) step when we are considering to either upgrade or supplement our Canon equipment.

The Digital Picture

Beyond The Frame At TTP

A weekly feature titled Beyond The Frame will appear on The Travel Photographer each Sunday. Beyond The Frame will give the background story on images I photographed during my travels. Cultural, historical and religious background, as well as information, anecdotes and EXIF data (if digital) will be part of Beyond The Frame, to give you the 'whole picture'

Travel: The Year In Pictures 2006

Image from Sacred Faces of Angkor Wat-Copyright 2006 Tewfic El-Sawy
Lonnie Schlein is the picture editor of the Travel section of the New York Times, and in this interactive feature he shares how he personally chose the best photographs for the newspaper's Travel: The Year In Pictures 2006.

While I agree with some of his choices (such as Jehad Nga's photograph of an Ethiopian woman coming out of church), I still don't understand how picture editors narrow down images. It must be a talent acquired after years of experience, a sort of gut feel...but this multimedia presentation did little to shed light on the thinking process.

Travel Pictures 2006

Jobo Giga-Vu

Rob Galbraith's website reports that JOBO just announced that an upcoming firmware revision for the Giga Vu Pro Evolution will add an on-screen loupe to the photo storage device for working photographers. The loupe will provide users of this mobile image storage device with a button in the unit’s zoom menu that makes a rectangular loupe appear on the LCD screen so photographers can closely examine important details of their pictures.

This model has a bright 3.7-inch screen (640 x 480 pixels) and is available in capacities of up to 120GB. It can also play movies and music files and has support for RAW files too. The street prices are about $500 for 40gb to $900 for 120gb.

In contrast, the new Epson p3000 (40gb) has a 4.0-inch screen (640-480 pixels) and is retailed at $490. I wouldn't be surprised if Epson didn't follow through with a firmware of its own.

The jury's out.

Jobo Giga Vu

Latitudes Magazine

Not only does this monthly web-only Italian (also in English) magazine contain wonderful travel imagery of countries ranging from Bhutan to Sudan, but it presents it in a cutting edge multimedia format, adopting a book -or magazine- format, with effective sound and visual effects embedded in some of the photographs. Naturally, as in most magazines, you'll find some advertisement, but I just flip on.

In a future post, I'll introduce you to the software used to build the book-like Flash presentations such as this stylistic and imaginative Latitudes magazine.

Amanda Jones

Image Copyright Amanda Jones
Amanda Jones is a prolific writer and photographer living in the San Francisco Bay Area. Her work appears in travel magazines, and her short stories have been published in several travel anthologies. She has also done story development for National Geographic television, and her photography series Timeless, black and white photographs of African tribal peoples, was exhibited at a United Nations film festival.

Her photography is essentially aimed at travel magazines and travel catalogs/stock libraries. She photographs 'nice' portraits, mostly verticals and double-spreads for magazines, and to accompany her travel writings. If you thumb through travel magazines, you'll notice the verticals, the wide space to the left or right of images to accomodate text or titles, etc. It's a style of travel photography that generally doesn't appeal to me, but it does sell and I do it as well.

I've chosen her work in the Ethiopian south, namely in the Omo Valley, for inclusion in TTP. She has also written a short article for the London Sunday Times on her adventures with the tribes of the Omo Valley which is funny and informative. Her introduction to the Mursi tribe echoes my own essay Brief Encounters; The Mursi published in Outdoor Photography last year.

Amanda's Omo Valley gallery is here

Her accompanying article is here

Amanda Jones Travel Photography

Flickr In Stock Photography?

A recent post on Dan Heller's (a talented and versatile professional photographer) blog has added his voice to the rumor that sites such as Flickr and Shutterfly may be considering entering the stock photography business. He asserts that the world of photography will surely get involved in user-generated content, and predicts that sooner or later, these sites will recognize the enormous potential of monetizing user-generated content, similar to what YouTube has done.

Here's a couple of Dan Heller's views:

"As I've been arguing since I got into the photography business, Truism #1 states that more people have photography as a hobby than as a profession. Therefore, the basic fundamental principles of economics make it inevitable that photo businesses will have to expand into a hybrid of consumer/pro-photo sharing/licensing models. Not doing so will be career suicide."

"It is inevitable that someone--whether it's Flickr or other photo-sharing sites--will eventually figure this out and engage in some form of business that monetizes user-generated photography."

I have so far not used Flickr despite its many advantges. The reason is that Flickr (or Yahoo, which is its parent company) requires that those who submit photographs etc agree to granting it worldwide royalty-free non-exclusive license to use these photographs...always a stumbling block for self-respecting photographers.

I expect if Heller's predictions are indeed realizable, that separate terms will have to cover the business monetization model of photo sharing. Notwithstanding, his post prompted me to visit Flickr and I must tell you that the quality of some of the photographs are just spectacular, whether travel or photojournalistic. Incredible quality...and I'm now considering joining, and to keep an eye of future developments.

Hellers' excellent article/post is here

To check out Flickr

Books: Frontline by David Loyn

I'm currently reading Frontline, which is the true story of the British mavericks who changed the face of war reporting. So far, it's mostly on how a handful of British eccentric public school graduates (is that tautological?) decided to report on the conflict in Afghanistan, bending all rules and conventions.

A fascinating read, not well written by any means...a bit anecdotal but a must for anyone interested in war reporting and conflict photojournalism.

It's found in hardback here in the US, but was available in paperback in the UK.

PDF Slideshow

Photoshop has a frequently overlooked but very useful – and super simple- feature which generates PDF slideshows of images in a matter of seconds. These PDF slideshows can be emailed (or burnt on CD) to photo editors, clients and friends to view your work. Since Adobe Reader is on virtually all computers, there's no difficulty in viewing the PDF slideshows.

Here’s how simple it is:

1. Open File Browser in Photoshop.
2. Click on File>Automate>PDF Presentation
3. The PDF Presentation Dialog Box>Browse>Select Images
4. When images are selected, select Output Options>Presentations
5. Select Presentations Options: Advance after 3-4 seconds
6. Select Transition type
7. Save
8. The PDF Options dialog box opens: Click OK
9. The PDF Presentation Saved on Desktop
10. Right Click (on Mac) to create Archive of PDF for an email-able zip file.

For ways to send large files, look at my earlier post: Send It!!

Radhika Chalasani: Widow City

Ms Chalasani is a New York-based photojournalist, and covered Vietnam's emergence from isolation, the aftermath of the Rwanda genocide, and the famine in Sudan; coverage for which she received many coveted awards.

Her most recent work on Indian widows in Vrindavan is the principal reason for her appearance on TTP. Her gender may have granted her easier access to the widows, but that takes nothing away from her talented compositions. See for example, her choice of viewpoint in the image of the widow getting a haircut, in the one of the broken sink in a widow's hovel and the final image of a cow sharing a narrow alley with an elderly widow.

Again, her website is Flash-based, so no shortcuts are available. Her gallery on the widows is titled Widow City

Pascal Meunier: The Baths of Cairo

Cairo hammam - Image Copyright Pascal Meunier
The featured photographs introduced in this post are a revelation for me, as I had no idea that public baths still existed at all in Cairo, the city of my birth. It appears that during the 12th century, the Egyptian baths were the most beautiful of the East, the most convenient and best laid out. Today, excluded from the government's restoration plans , the hammams of Cairo are decaying.

Pascal Meunier is a documentary photographer based in Paris, whose latest photographic works focus on Arab-Muslim culture. A culture which endlessly talked of and criticized these days, but seldom understood nor appreciated.

For the past eight years, Pascal has reported on cultural traditions from Mauritania to Malaysia, passing through Iran, Libya, Yemen and Egypt on the way. The objective of his photography is to capture the cultural heritage and traditions that are swiftly vanishing. He also shows a Muslim world in change, overtaken by modernity, but increasingly anxious to preserve its values. He photographs with a Leica MP.

I found his images of the Cairene public baths to be brooding, saturated and atmospheric. As I said, a revelation and certainly a potential personal project when I next visit.

Pascal Meunier's Les Derniers Bains Du Caire

Birth of A Canon Lens

Here's a virtual tour of the Canon lens plant. The tour takes us through the entire process of producing a Canon EF 500mm f4 IS USM telephoto lens, starting from the raw materials used to make the glass to its final hand assembly. Thanks for the link Ralph!

Canon Virtual Tour

Kalpesh Lathigra: Brides of Krishna

As promised in my post of yesterday, I bring you Kalpesh Lathigra a London-based freelance photographer, working for most of the United Kingdom's newspaper magazines, including the Sunday Times Magazine, and The Independent Magazine. His work ranges from photographic essays of the American Midwest to the aftermath of the Asian tsunami. However, the reason for his being included on this blog is his insightful photographic essay on the Indian widows, aptly entitled Brides of Krishna. His work in Vrindavan predates mine, and I wish I had seen it before I set out on my trip.

Paraphrased from Kalpesh's Brides of Krishna: " To be a poor widow in India in the 21st century is to still suffer social death. It (Vrindavan) has become a place of sanctuary, yet a more sinister tale of corruption and greed lies below the surface. In many ways the widows have become slaves to the ashrams without which they have no real way to survive."

An enormously talented and sensitive photographer, Kalpesh's Brides of Krishna is well worth visiting.

There are no shortcut links to Brides of Krishna since the website is Flash-based. Here's the link to his main website and you can navigate to his galleries.

Vodka Cleaner?

During my recent photo-expedition in Bhutan, while immersed in photographing the festival of Prakhar, totally focused on the whirling dancing monks of the monastery, and crouching to capture their movements, disaster struck one of the expedition’s participants. Her Canon 20D wouldn’t work...it just froze. Nothing worked. Removing and replacing the battery didn’t work. Replacing the CF card with another one didn’t work. Nothing.

Suddenly an epiphany! I removed the lens from the camera, and with a corner from my t-shirt carefully wiped the contacts on the lens mount and those on the camera. Presto! The camera worked again. Gunk had prevented the electronics to connect properly….but I knew that my wiping would not be sufficient if we were to prevent that problem from happening again during our coming many photo shoots. None of us had alcohol-based cleaner, so we wiped down the connections on our lenses and cameras, and hoped for the best.

Back at our hotel in Bumthang, I noticed that one of us had a bottle of Smirnoff Vodka (just for medicinal use of course). Another epiphany! A few drops of the liquid on a lint-free cloth proved to be an excellent cleaner of electronic connections on our cameras’ mounts. Needless to say, our cameras worked perfectly for the remainder of the expedition. James Bond may disapprove, but you can try this at home if you like…just don’t get vodka on the camera’s sensor!

Islamic Numerology & Panoramas

Image Copyright 2006 Travis Fox/Washington Post
The Washington Post has a really interesting article today for people like me who are interested in uncommon cultures, religious rituals and photography. The article is about Islam and numerology, and is by Travis Fox reporting from N'djamena in Chad, who writes of a fascinating practice that mixes Islamic theology, African folklore, and shamanism. A ‘feki’ (an Islamic scholar of sorts) is called upon to cure illnesses, to predict the future and to resolve crimes.

The ‘feki’ uses Muslim prayer beads, mysterious numbers and various diagrams to resolve a multitude of social issues. It made me think of kabalistic practices, and other similar rituals. The link to this article is below.

Notwithstanding this interesting practice, it must be said that mainstream Islamic theology ridicules numerology and fortune-telling. More orthodox Islamic scholars condemn these as being in conflict with the teachings of the Qu'ran.

Back to temporal matters: one of the photographs in the article is made with a panoramic camera, and I found that it really offers a wonderfully realistic view of the room in which the ‘feki’ works along with his clients. Since I wondered whether a panoramic camera would be a worthwhile investment, I discovered that professional panoramic cameras do not come cheap. The cheapest Horseman panoramic camera retails for about $1900, while the Linhof goes for $2900. These come with no lenses. However, I suspect that the photograph in the article is made with a consumer-type digital camera set in panoramic mode. I will research this further.

The article is here

The panoramic image is here

Widows of Vrindavan

Trailer from White Shadows - Copyright 2006-2007 Tewfic El-Sawy

One of my photographic projects which left me with an indelible sense of compassion is the one I did of the widows of Vrindavan in India. As I write in White Shadows, my multimedia project on the subject:

"I am not a polemicist, nor an activist nor am I sufficiently knowledgeable of Indian social issues and culture, but I sense that religious tradition (in this case, Hinduism) is used to justify the dreadful treatment of widows, and that it is really poverty that lies behind the decision to force them out from their families."

There are many talented photographers who have also documented the widows of Vrindavan. I intend to introduce you to them in the coming few days.

My multimedia gallery 'White Shadows' can be seen here

World Press Photo 2007

Image Copyright 2006 Spencer Platt (Getty Images)

The World Press Photo in Holland announced its 2007 winners, and Spencer Platt deservedly takes first place with his picture of a group of young Lebanese driving through a South Beirut neighborhood devastated by Israeli bombings. The picture was taken on 15 August 2006, the first day of the ceasefire between Israel and Hezbollah when thousands of Lebanese started returning to their homes.

To me, this picture is the epitome of what photojournalism ought to be. A single picture says it all. The image of wealthy privileged Lebanese cruising a devastated neighborhood in South Beirut (aka a poor Shia neighborhood) says it all about the 'two' Lebanons. There's the privileged, moneyed, Western-leaning and (usually Maronite Christian) minority on one side and the downtrodden, poor, disinfranchised Shia majority which bore the brunt of the Israeli destruction last summer on the other. It's the classic tale of a divided nation where the minority elitist class govern, while the majority have little say in their country's future and their own economic advancement.

Just look at the picture: The women are in revealing dresses; one is holding a handkerchief to her nose (to protect her from the stench of death and destruction, or was she just blowing her nose?) and the other is blithely taking pictures on her cell phone. Are these young people going to volunteer to help fellow Lebanese who've been wounded and killed in the bombings? Are they going to donate blood? Are they going to donate funds to help those who are homeless? I just don't think so. To me, these people are on a sightseeing drive through devastated neighborhoods, and will return with their stories and cell phone images to show their friends while wasting their nights away in Beirut's nightspots. If I'm right, then what a despicable behavior!

To me, this picture foretells the future of the Lebanon.

World Press Photo's website

Bolivia: The Tinku Ritual

Image from The People of Pachamama-Copyright 2002 Tewfic El-Sawy
The New York Times and its sister company, the International Herald Tribune report today from Bolivia on the unusual ritual of Tinku, a word that means “encounter” in both the Aymara and Quechua languages, which was once widespread throughout the Andean world, predating the arrival of the conquistadors. Anthropologists say it now tenuously exists just in an isolated pocket of Bolivia, seven hours southeast of La Paz by bus on a dirt road.

The ritual involves dance, drinking chicha, a fermented beverage made here from rye, and then fighting breaks out until blood stains the dirt alleyways. It's a combination of harvest or fertility ritual and a chance for young men to show off in front of women from other communities.

I recall a festival on the Isla del Sol on Lake Titicaca when I visited Bolivia in 2002. The locals were celebrating a harvest festival, and although there was no violence, I thought that chicha did flow rather too freely.

The slideshow is of photographs by Evan Abramson of the NY Times: The Tinku Ritual

Kloie Picot: One Shot More

Bushkashi in Afghanistan - Image Copyright 2006 Kloie Picot
Kloie Picot is a Canadian photojournalist and filmmaker specializing in documenting conflicts, critical social issues, cultural events and religious rituals from around the world. She is also pursuing the multimedia field by combining her photography, video and sound.

Now based in Taiwan, she travels and works extensively in the Middle East, Central Asia and the Far East. She spent 8 months in Israel and Occupied Palestine filming 'Shots That Bind' on the lives and work of Palestinian photojournalists in Nablus. It is there where Kloie became enthralled with the split-second capture of moments which conflict photography exemplifies.

Kloie was kind enough to send me a DVD of 'Shots That Bind', and I was mesmerized by the remarkable hard hitting documentary.

Her website is fresh off the press, and I take great pleasure to introduce it here.

Kloie's One Shot More